Being ‘fast and simple’ does not mean sacrificing sound quality or creative control. An effortless workflow, low cpu use and a single page interface means you can build your tracks in no time. Hive: lightweight synth, heavyweight sound Sleek, streamlined and super fast. U-he Hive v2.2 WiN Team R2R | | 73.9MB PLATFORM: WiN32/64 – VSTi/VST3/AAX(MODiFiED) Secondly, midi key control so that you can play Colour Copy like a mono synth – each octave up doubles the delay rate.ĬolourCopy v1.2 AAX VST VST3 x86 圆4 WiN-R2R We took Colour Copy a step further in this direction by adding a pair of creative features: Firstly, a freeze button that loops the contents of the delay buffer for as long as you like. Some people like to perform on their bbd hardware, pitching the regeneration up and down by twisting the rate knob. This latter option leaves the very first delay unaffected, preserving the overall stereo “space” while preventing the sonic mayhem that high regeneration often causes. An envelope follow signal derived from the input signal can be used to modulate the lfo frequency and depth, adding realtime dynamics to the effects.Ĭolour Copy comes with the obligatory ducking compressor, but with a unique twist: You can select whether to duck the entire delay output or just the feedback signal. Crank up the modulation depth for deep pitch-shifting. With a range of 0.05Hz to 20Hz (as times: 20s to 50ms) the lfo can create chorus, vibrato and tremolo effects. You never knew you’d want three different ways to create a ping-pong effect!Ĭolour Copy comes with a stereo lfo that can be used to modulate either the delay rate, the tap positions or the delay amplitude. ping-pong or “rushing” delays as well as various stereo chorus or flanger effects. This feature lets you move echos independently “forward in time” for e.g. Additionally, unlike hardware BBD units, Colour Copy’s left and right output “taps” can be placed anywhere along the delay lines. The routing options let you mix or swap the input and feedback signals independently or even invert the feedback phase for various phase cancellation effects when delay times are set very short. With delay times ranging from under a millisecond to several seconds, you can create anything from comb-filter and flange/chorus effects to regular ping-pong delays and longer “looper” effects. Finally, a Brightness knob lets you adjust the bandwidth.Ĭolour Copy is capable of a huge variety of different delay-based effects. The Saturation knob controls how prominent or subtle those characteristics should be, in case you want to dial back the colouration to better fit in the mix. In addition to obvious differences in frequency bandwidth, each comes with its own noise and dynamic characteristics, frequency loss over time, and several other qualities. The differences may be subtle, but each one is rich in detail. A single knob lets you continuously blend between the five finely-tuned “colour” macros. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.ĭuring development we soon realized that we could capture the essence of the entire range of classic bucket brigade delays – from the low-range rumbling, slowly evolving delays to the highly resonant, screaming characters. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. U-he ColourCopy v1.0.1 WiN Team R2R | | 25.0MB (Win32/64 AAX*, VST3, VST)Ī virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. U-he Bazille v1.2 AAX VSTi VST3 x86 圆4 WiN-R2R – multiplex modules for signal mixing, RM (ring modulation), AM (amplitude modulation) – 2 mapping generators (waveshapers) with a variety of drawing tools and controls – signal processors: Inverter, rectifier, sample & hold, lag generators and quantizer – 4 modelled effects: stereo delay, distortion, phaser, spring reverb – 4 multimode analogue type filters with up to 6 parallel outputs each – 4 digital oscillators with simultaneous FM (frequency modulation), PD (phase distortion) and FR (fractal resonance) U-he Bazille v1.2 WiN Team R2R | | 38.9MB Digital Modular Synthesisīazille is a large modular system combining digital oscillators with analogue-style filters and modelled effects, with a flexibility that only modular patching can provide.
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